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The Underground Press
Category: Archives | Topic: The Sixties | Books about The Sixties | Print this page Print  Send this story to a friend E-Mail
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“Freedom of the press is guaranteed only to those who own one” - A.J. Liebling

During the 1960s, mainstream media refused to print unbiased coverage of the events taking place around the country involving the counterculture and political activism. Therefore individuals and groups decided to start their own underground publications.

By the late '60s there were 150 underground newspapers in the U.S. with a total circulation of about 2 million readers. This was during a period when many mainstream newspapers were shutting down.

Many of these newspapers were started by students at college campuses and echoed the themes of the day, such as student rights, minority rights, antiwar activities, women's rights, gay rights, anti-capitalism, rock music reviews, new art forms, class struggle and other forms of protest. Many of these periodicals experimented with new forms of journalism. Interviews, speeches, new slang, profanity, sexual openess, counter-cultural events and revolutionary sentiments filled the pages of the underground press.

Likewise these publications innovated new forms of text and graphic display including freedom from traditional page layouts, extensive use of color and psychedelic imagery, collage, stylized fonts (typefaces). Like the wonderful concert posters of the era, the underground press embodied the alternative art and culture of the period.

The Underground Press Syndicate was formed to help the alternative press deal with legal issues like censorship (common in certain areas), copyrights (all members of the syndicate were free to use another's material) and legal defense funding. The UPS represented over one hundred publications like The Berkeley Barb, The San Francisco Oracle, Rat, Old Mole, The Great Speckled Bird, Liberation, Ramparts, Kaleidoscope, Resist, Leviathan and many others.

Suggested Reading

The Art of the Fillmore: The Poster Series 1966-1971
This amazing book contains the complete collection of posters commisioned by the late Bill Graham for his Fillmore and Winterland venues in San Francisco and New York. Beautiful full psychedelic color, classic rock posters from Rick Griffin, Wes Wilson, Stanley Mouse, Alton Kelley, Bonnie McLean, Lee Conklin and all the rest are a joy to behold! Includes the story behind the scene, the posters and the artists. A must for all collectors of Rock and '60s memorabilia.

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More about The Sixties
· A Trip Through the Sixties - How It All Began
· A Trip Through the Sixties - The Anti-War Movement
· A Trip Through the Sixties - The Black Power Movement
· A Trip Through the Sixties - The Civil Rights Movement
· A Trip Through the Sixties - The Sexual Revolution
· A Trip Through the Sixties - The Student Rights Movement
· A Trip Through the Sixties - The Vietnam War
· About The Hippie Archives
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· Do we Love the Vietnamese More than our Black Brothers? (1967)
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